Abstract

This dissertation examines existential and ethical dimensions of writing and reading, especially with regard to what it means to historicize, that is think, tell, read and write about the past. A central aim of the dissertation is to show that reading and writing as cultural phenomena involve a transgenerational ethical relationship with absent people, which exceeds the immediate horizon of life of an individual. Growing up in a culture of literacy means gradually coming to understand a life that spans over several generations, relationships with people in a past world who, in their absence, are constantly referred to and invoked in the continued life of posterity. In light of this, historiography appears above all as a way of maintaining a life over generations. In turn, this raises an ethical-existential question of responsibility for the ways in which any posterity talks about and relates to those who are no longer alive. The articles in this dissertation are case studies the purpose of which is to clarify what this responsibility toward the past involves in our culture of literacy. The methodological starting points of the dissertation are mainly to be found in existential moral philosophy, philosophical hermeneutics, and deconstructive phenomenology. The arguments of the articles take shape in dialogue with central thinkers of these philosophical traditions. The thoughts that are critically examined, however, are understood by many scholars to be unproblematic or legitimate, so that it is even more important to point out their possibly difficult ethical implications. Central themes examined in the articles of the dissertation are: the view that written language has a generally ethically unreliable character (Derrida, Ricoeur, Plato); the relationship between writing, burial and the performative culture of remembering (Jonas, Derrida, Ruin, Fritsch); aesthetic temptations in relation to testimonial stories and realistic prose (Lévinas, Levi, White, Žižek); and the problems for responsibility that can arise when an empathetic method or social psychology is used in historical research (Browning, Brison, Wyschogrod). Through an examination of these themes, the dissertation shows several immoral and existentially simplified aspects arising from ways in which posterity’s responsibility has often been understood to be constituted. These simplifications permeate our historical consciousness and are particularly evident in the methodology and theory of historical science, as well as in the philosophy and aesthetics of historiography. The positive argument of the dissertation therefore consists in clarifying how an ethical-existential relationship of responsibility to other people precedes literary mediation, narrativity, and the search for evidence, as these people are the ones that posterity talks about, lives on with, and continues to care about even in their absence.