Abstract

Mikhail Epstein (b. 1950) and Vladimir Sharov (1952–2018) became close friends in Moscow in 1980. Epstein emigrated in 1990 to become a professor of cultural studies at Emory University; in 1991 Sharov, trained as a historian of medieval Rus’, published the first of his nine novels. With increasing urgency, both writers explored the myth, now backed by military force, that Russia is called to an apocalyptic, salvational global mission. This essay juxtaposes Epstein’s quasi-novel The New Sectarianism (1993), with its plea for poor faith or “minimal religion,” with the maximalist plots of Sharov’s novels, peopled by NKVD informers, homespun visionaries, seekers and priests. When a philosopher writes a novel, or when an historian-turned-novelist formulates a political philosophy, how are we to balance the claims of these competing genres? The final segment discusses a highly antagonistic reading by the sociologist Dina Khapaeva of Sharov’s final novel, which suggests that Sharov was emotionally complicit in the horrific events of the Stalinist era. An attempt is made to rebut this reading, and also to locate a way out for all parties that permits novelistic and philosophical art to be moral—but remain art. The essay originated as a paper presented at the 2023 ASEEES Convention, on a panel titled “Contemporary Russian Philosophy: Four Thinkers on Consciousness, Imagination, and Civilizational Crisis.” The argument has been filled in but not updated, and its oral intonation retained.