Abstract

In this collection of seven essays, Raymond Geuss brings his distinctive philosophical perspective to bear on the interrelations among the three issues announced in his title. At one point calling his approach an “excursion into conceptual history”, Geuss manages to keep his potentially intractable topic under control by integrating very broad thematic elements with extended moments of textual analysis, focusing on such thinkers as Kant, Hegel, Nietzsche, Theodor Adorno, and Ernst Tugendhat. Although the essays range fairly widely, it becomes evident that the two central figures in Geuss’s loosely connected concerns are, in the end, Nietzsche and Adorno, signaling the volume’s chief preoccupation with the interrelations between art and morality in modern culture. In the pursuit of these and other complexities, the author’s deep learning is coupled with a style that is virtually crystalline.