Abstract

In this talk I consider a body of my more recent work in order to isolate the shared approach that it takes to reading Platonic dialogue, an approach which had been absent from my writing on Plato up to that point and is largely absent from any of the traditions that influence how most of us read Plato. Its key feature is a refusal to treat the character Socrates as operating as if he were Plato’s secret agent within the dialogue—as if one should attribute to Socrates all of the cunning and the control with which one might credit instead the author who scripted Socrates’s habitual triumphs. The focus of this new approach is rather on Plato’s “writerly” philosophizing: on how Plato exploits the distinction between what he and his character Socrates are up to as philosophers in order to guide our sense of his own activity and aims as a philosophic writer.