Abstract

Foucault appears now and again in the work of Charles Taylor, but fleetingly, almost hauntingly. This is not surprising because Taylor and Foucault share many ideas and yet remain starkly opposed. This is especially true of Taylor's most recent work, his monumental Sources of the Self: The Making of the Modern Identity. In it he is characteristically brilliant, in the sense that he attempts to illuminate a great many things all at once. Foucault is mentioned here and there in that work, along with a great many others. However, I would claim that Foucault's presence is much more sustained than the index would have us believe. In fact, one might say that Foucault is the shadow cast by Taylor's brilliance.