An essay in post-Romantic literary theory: art, artifact, and the innocent eye

Lewiston, N.Y., USA: E. Mellen Press (1991)
  Copy   BIBTEX

Abstract

Offers a theory of art that overturns post-Romantic, prescriptive theories and reclaims the independent and direct experience of art as being of primary importance. The text examines the relevance of perception and attacks social usefulness as the criterion of excellence in the arts.

Categories

Keywords

Reprint years

Call number

BH39.F62 1991

ISBN(s)

0773497919

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 100,561

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Romantic desire in (post) modern art and philosophy.Heather L. Braun - 2001 - British Journal of Aesthetics 41 (2):238-240.
Romantic Piano Art Aesthetics and Classical Philosophy Art Core Fusion Presentation.Bin Feng - 2023 - European Journal for Philosophy of Religion 15 (4):524-541.
The emotions in art.Jenefer Robinson - 2004 - In Peter Kivy (ed.), Blackwell Guide to Aesthetics. Malden, MA: Wiley-Blackwell. pp. 174--192.
Metaphoric Worlds: Conceptions of a Romantic NatureThe Depictive Image: Metaphor and Literary Experience.Mark Johnson, Samuel R. Levin & Phillip Stambovsky - 1989 - Journal of Aesthetics and Art Criticism 47 (3):287.
The (un)importance of art theory -aesthetics and philosophy of art And Art Speak and artist's statement creating the context to interact with your art.Ulrich De Balbian - 2017 - Oxford: Academic Publishers.
Stylistics: Rethinking the Artforms After Hegel.Richard Dien Winfield - 1995 - State University of New York Press.
The Buck Passing Theory of Art.James O. Young - 2016 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 3 (4): 421-433.
Art.Anna Ezekiel - 2023 - In Tilottama Rajan & Daniel Whistler (eds.), The Palgrave Handbook of German Idealism and Poststructuralism. Palgrave Macmillan. pp. 239-258.
Hazlitt and romantic criticism of the fine arts.J. D. O'hara - 1968 - Journal of Aesthetics and Art Criticism 27 (1):73-85.
The Gesamtkunstwerk as a synergy of the arts.Massimo Fusillo & Marina Grishakova (eds.) - 2021 - New York: P.I.E. Peter Lang.

Analytics

Added to PP
2009-01-28

Downloads
10 (#1,459,843)

6 months
2 (#1,693,973)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references