Abstract

In February 2018 numerous pundits and commentators rained on the collective parade of countless Black Panther fans, remarking that Wakanda was totally fictional and not a real African nation. Originally created by Stan Lee and Jack Kirby in 1966, Wakanda's utopian underpinnings are realized through the depiction of an idealistic vision of human society as a vibranium‐powered Afrofuturistic version of Plato's Republic. Rather than seeing Wakanda as a model of “racial utopianism,” Killmonger considers it as the basis of a dystopian empire. the cinematic depiction of Wakanda in Black Panther remains a dilemma of sorts, laying bare the perils as well as promises of racial utopianism by asking the film's audience if it is possible to make Black excellence a reality, while also asking what Black excellence means.