Benjamin Fondane et le cinéma expérimental: image de la pensée

Abstract

This paper analysed Fondane's conception and practice of avant-garde photography and film in relation to Lev Shestov's existential thought and its postmodern reconceptualization in Deleuze's theory of 'nomadism' and his notion of the 'time-image'.

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Ramona Fotiade
University of Glasgow

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