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Spectres of Dada: from Man Ray to Marker and Godard
In E. Adamovicz & E. Robertson (eds.), Dada and Beyond. Dada and its Legacies. pp. 89-109 (2012)
Abstract
An analysis of early Dada experimental practice in photography and film with reference to Roland Barthes's Camera lucida and Derrida's theory of spectrality. The chapter considers the legacy of Dada experiments with still and moving images in the work of post-war filmmakers such as Chris Marker and Jean-Luc Godard.Other Versions
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