Abstract

In his prophetic poems Blake conceives a perfection of humanity defined in part by the complete mutuality of its interdependent genders. Yet throughout the same poems he represents one of those mutual, contrary, equal genders as inferior and dependent , or as unnaturally and disastrously dominant. Indeed, females are not only represented as weak or power-hungry, they come to represent weakness and power-hunger . Blake's philosophical principle of mutuality is thus undermined by stereotypical metaphors of femaleness which I believe he adopted automatically in his early poems and then tried to redress but found himself trapped by in his late works. Susan Fox is currently working on a book of poems and has written articles on Spenser and Blake as well as Poetic Forms in Blake's Milton. She is an associate professor of English at Queens College of the City University of New York