Abstract

This dissertation examines a counterintuitive artistic imperative that emerged from the struggles of Leo Tolstoy and Vladimir Nabokov with an aesthetic problem of Kantian provenance. These two authors are widely considered to be opposed in their vision of art, but I show that their aesthetics in fact converge upon the same goal: to grant the reader a particular kind of freedom. These authors shared the Kantian view that aesthetic enjoyment requires that the reader not be constrained by any interest or concept. This feeling of freedom, they believed, is threatened not only when a reader looks to an artwork to satisfy his appetites, but also when he employs the artwork for a further intellectual or creative purpose of his own. On the latter point, they concluded that too much interpretive license, rather than liberating the reader, actually leaves him trapped within his preexisting conceptual framework. To ensure that their own works grant the freedom necessary for genuine aesthetic pleasure, they developed narrative strategies that restrict how we read the text.