Abstract

This chapter begins with a study of Fereydoun Hoveyda’s essay called “Sunspots” that describes the dynamics of cinema and the way one feels when attending it. It explains how cinema defines how modern time is known by man, how memory and desire provide qualities to known space, and how cinema itself shapes man’s encounter with place and landscape. Cinema, according to Hoveyda, captures and channels a constantly unfolding force that runs through the represented spaces and temporal rhythms of a film and also through the audience in the dark room. This is when cinema works best, where it pulsates with energy; when the animus of a scene arcs like electricity from moment to moment, from screen to audience, and then back again. This energy emanating from the cinema screen is as vital as that of the sun’s, hence the name “Sunspots.”