Abstract

A study of phenomena familiar to us but largely overlooked in our everyday lives and in philosophy—the phenomena of sound. The author, in what is almost a meditative form of writing, wishes to disengage the reader from the predominant, visualist tradition in philosophy and western thought generally and to reintroduce listening and sound as autonomous realms of experience. What he develops is a phenomenology of sound which utilizes themes from the works of both Husserl and Heidegger. Husserl himself did not completely escape the dominance of the visualist tradition in western thought. For him perceptual experience was primarily visual. However, according to Ihde, the emphasis on a description of experience in the phenomenological reduction provides categorical schema for understanding sound and a basis for surveying the auditory terrain and the "voices" of the world as independent phenomena. Husserl’s analysis of perceptual experience distinguishes between focus, fringe, horizon, and that which is absent or empty in experience, and Ihde applies this set of distinctions to a descriptive analysis of the auditory dimension. Roughly the first half of his book is given over to such a Husserlian description of the presence of sound.