Abstract

Incisive and concentrated aphoristic journey from Hegelian dialectics through the Heideggerian turn, via Nietzsche's 'The Madman' and Godel's uncertainty principles, restaging the political and with it, aesthetics, after Einstein's infamous intervention. Further interrupted by Deleuze & Guattari, the question is thus raised: when is something installed as 'fascistic'? and when can it be otherwise? As Golding states, 'it's a delicate game we are playing, after all'.