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Philosophy and the novel
Oxford: Oxford University Press (2013)
Abstract
Part I. Philosophy of novels. 1. Introduction: philosophical content and literary value -- 2. Interpreting novels -- 3. The sun also rises: incompatible interpretations -- 4. The appeal of the mystery -- Part II. Philosophy in novels. 5. Moral development in Pride and prejudice -- 6. Huckleberry Finn and moral motivation -- 7. What we learn about rules from The cider house rules -- 8. Nostromo and the fragility of the self.Author's Profile
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Citations of this work
Aesthetic practices and normativity.Robbie Kubala - 2021 - Philosophy and Phenomenological Research 103 (2):408–425.
The Oxford Handbook of Philosophical Methodology.Herman Cappelen, Tamar Gendler & John Hawthorne (eds.) - 2016 - Oxford, United Kingdom: Oxford University Press.
The Strains of Involvement.Neal A. Tognazzini - 2015 - In Randolph K. Clarke, Michael McKenna & Angela M. Smith (eds.), The Nature of Moral Responsibility: New Essays. New York: Oxford University Press. pp. 19-44.
Highlighting Moral Courage in the Business Ethics Course.Debra R. Comer & Michael Schwartz - 2017 - Journal of Business Ethics 146 (3):703-723.
References found in this work
Lack of character? Situationism critiqued.John Sabini & Maury Silver - 2005 - Ethics 115 (3):535-562.
Praise, Blame and the Whole Self.Nomy Arpaly & Timothy Schroeder - 1999 - Philosophical Studies 93 (2):161-188.
On the cognitive triviality of art.Jerome Stolnitz - 1992 - British Journal of Aesthetics 32 (3):191-200.
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