Abstract

We live in a period of unprecedented intermixtures of forms of expression. The traditional contrasting of science to art and of the exact sciences to the humanities is becoming obsolete. Today "All has become mixed up in the Oblonskii household": where one thing ends and another begins is impossible to determine. Mathematical methods are penetrating literature studies, musical theory, and the like. Such strange disciplines as, for example, "artmetrics" are arising at the point of contact between the exact sciences and humanities. Digital computers "compose" perfectly good music, write verse , create original works in decorative art, and so forth