Abstract

Listening represents a welcome contribution to the now substantial body of recent literature on Phaedrus. In the book's seven chapters, Ferrari discusses various parts of the dialogue and offers many helpful points along the way. For example, Ferrari's remarks are good on the controverted question as to whether the lover in the palinode "uses" the beloved, as are his observations about the struggle between the three parts of the soul. Ferrari persuasively points out that each part of the soul really represents a way of life, a possible human type. Ferrari offers the novel and probably correct view that the question as to the authenticity of the speech attributed to Lysias is intended ironically by Plato to parallel the question as to whether the "demythologizers" are right to pursue the historical origins of myths. In his last chapter Ferrari surveys various approaches to the famous critique of writing, opting for a modified version of the view that the critique is meant to express a serious distrust of writing, that Plato thought he had discovered a way of writing that avoided the thrust of critique, and that the spoken word ultimately remains superior. Ferrari thus positions himself against Burger's and Derrida's interpretations. Ferrari rightly sees that the critique of writing engages the major issues of the dialogue and ought not be severed from them.