Abstract

The present-day theory of image comes in the wake of iconology, by virtue of the explicit re-use of several problematic themes which are central to this method, and permit its critical redevelopment : 1. Reflection about iconic representation, about its relation to language and its specific logic; 2. The investigation into the dynamics of the image ; 3. The study of the effectiveness of images and the production of many different kinds ok knowledge under the effect of editing operations