New Media Criticism and the Body: Hans Magnus Enzensberger’s Ambivalent Reflection on Digital Devices

In The NECS 2017 Conference (2017)
  Copy   BIBTEX

Abstract

peer reviewed.

Categories

Add categories

Keywords

Reprint years

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,459

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Adorno-as-memory. Inheriting, resurfacing and replaying confidence in Kluge’s late work.Jérémy Hamers & Grégory Cormann - 2014 - In Jérémy Hamers & Grégory Cormann (eds.), Critical Theory, Film and Media: Where is Frankfurt Now?
Frankfurt and the television. Premise of a utopian use of the mass media.Jérémy Hamers - 2018 - In 2ème Congrès de la SPHM (Société pour l'histoire des médias).
Modern and Postmodern Strategies: Gaming and the Question of Morality : Adorno, Rorty, Lyotard, and Enzensberger.Monika Kilian - 1998 - Peter Lang Incorporated, International Academic Publishers.
Moderne deutsche Lyrik: von Nietzsche bis Enzensberger (1875-1975).Friedrich Sengle - 2001 - C. Winter.
Clean hands vs “Alternativ(e) Television”? Criticism and imitation in Adorno, Enzensberger, and vom Bruch.Jérémy Hamers - 2018 - In The NECS 2018 Conference: Media Tactics and Engagement.
La simulazione ama nascondersi. La realtà virtuale tra Jean Baudrillard e David Chalmers.Valerio Specchio - 2023 - Scienza E Filosofia 29:220-243.
Freuds »Massenpsychologie« und ihre Rezeption bei Theodor W. Adorno und Hans Kelsen.Christophe Dejours - 2022 - Psyche 76 (11):992-1006.
Ruina de Europa.Fernando Rodríguez Genovés - forthcoming - El Catoblepas: Revista Crítica Del Presente.
Part III. Music on screen. Instrumentalising music for the film : Pianos, harps, and fiddles in backbreaking moves of social labour / Lydia Goehr ; composing for the films in the age of digital media.James Buhler - 2022 - In Gianmario Borio (ed.), Immediacy and the mediations of music: critical approaches after Theodor W. Adorno. New York: Routledge.

Analytics

Added to PP
2017-07-07

Downloads
4 (#1,807,862)

6 months
2 (#1,694,052)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references