Abstract

Whitehead’s categoreal scheme in Process and Realitv is so constructed that the several basic notions presuppose one another: despite this, there is good reason to consider “creativity” to be more ultimate than the others. But just how it is that creativity can be a metaphysical ultimate is not initially clear. For Whitehead’s various characterizations of creativity are confused and seemingly conflicting: moreover, and most importantly, creativity comes into conflict with the ontological principle. An analysis of the relation between creativity and the ontological principle reveals a radical turn in philosophic thought: the conception of a metaphysical ultimate which is “ontologically neutral.”