Abstract

Clark Kent may be Superman's secret identity, but Superman is the secret identity of our own cultural inclination to violence. Superman is a part of our mythology, and Girard in particular argues that myth performs a specific function in regard to violence. The hope and faith of the normal people of Earth are fulfilled, as is the mythological formula: Superman returns to meet the imitative violence that is threatening to spiral out of control with violence of his own. Kingdom Come makes heavy use of religious themes. For example, the first image we see of Superman clearly establishes him as a Christ figure. Superman’s hanging of the cape and his revelation about Marvel reminds us of and draws attention to the cycles of violence in our mythology and our history.