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Questions of Cinema
Macmillan International Higher Education (1981)
Abstract
"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.Other Versions
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Citations of this work
Towards a grande paradigmatique of film: Christian Metz reloaded.John A. Bateman - 2007 - Semiotica 2007 (167):13-64.
The ties that bind? Self‐ and place‐identity in environmental direct action.Jon Anderson - 2004 - Ethics, Place and Environment 7 (1):45 – 57.
The use and effect of a theatrical technique in a different domain of meaning: The soliloquy.Hadassa Shannie - 2001 - Semiotica 2001 (135).
On the semantic status of film: Subjectivity, possible worlds, transcendental semiotics.David Herman - 1994 - Semiotica 99 (1-2):5-28.
A Deleuzian Imaginary: The Films of Jean Renoir.Richard Rushton - 2011 - Deleuze and Guatarri Studies 5 (2):241-260.
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