Aesthetic Education in Confucius, Xunzi, and Kant

Yearbook for Eastern and Western Philosophy 2018 (3):59-75 (2018)
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Abstract

This essay introduces ideas from Confucius, Xunzi, the Six Dynasties, and Kant about beauty, music, morality, and what we might today call “aesthetic education.” It asks how beauty and morality are related and how they ideally should be related to each other. We know that beauty and morality can drift apart, and we may wonder how aesthetic education might work best. Should the arts be a means for developing morality? Or should it be the other way around? These questions are still relevant today. But our world has changed, not only since Confucius, but also since Kant. We may ask what to make of their ideas in our present time. I argue that there are good reasons for keeping morality and aesthetics apart, somewhat in the spirit of Kant, and in opposition to the idea of “fusing” the two.

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Christian Wenzel
National Taiwan University

References found in this work

The dancing ru: A confucian aesthetics of virtue.Nicholas F. Gier - 2001 - Philosophy East and West 51 (2):280-305.
Art and Imagination in Mathematics.Christian Helmut Wenzel - 2013 - In Michael L. Thompson, Imagination in Kant's Critical Philosophy. Boston: Walter de Gruyter. pp. 49-68.
Beauty in Kant and confucius: A first step.Christian Helmut Wenzel - 2006 - Journal of Chinese Philosophy 33 (1):95–107.
Pragmatist aesthetics and confucianism.Richard Shusterman - 2009 - Journal of Aesthetic Education 43 (1):pp. 18-29.
Interactions between Western and Chinese aesthetics.Wang Keping - 2006 - Filozofski Vestnik 27 (1):167 - +.

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