Abstract

This review admires Michael Marder’s inquiry as a parallel for which biosemiotics can find points of conceptual resonance, even as methodological differences remain. By looking at the dump of ungrounded semiosis – the semiotics of dislocating referents from objects, and its effects – we can better do the work of applying biosemiotics not just towards the wonders of living relations, but also to the manifold ways in which industrial civilization is haphazardly yet systematically destroying the possibility for spontaneous yet contextualized semiogenesis. Biosemiotics has much to gain by understanding the ways, gross and subtle, in which Anthropocenic hubris undercuts our own ability to make sense of the world, doubling down on overconfidence at the expense of meaning-making.