Abstract

The New Year’s Sacrifice" by Lu Xun, a celebrated exploration of his native Lu Town, provides a profound commentary on the paradoxes within rural Chinese society. This paper aims to reinterpret the novella through a philosophical and theological lens, leveraging a New Criticism framework alongside methodologies such as close reading, content analysis, psycholinguistics, and cognitive mapping. Our analysis reveals a deeply entrenched social hierarchy characterized by the senior/central class led by Master Lusi, a duplicitous middle class, and a marginalized lower class epitomized by Xianglin Sao. Within this rigid social structure, Lu Xun crafts a narrative rich in paradoxical dynamics and carnivalesque contradictions, highlighting both the microcosmic personal paradoxes and the macrocosmic thematic ironies, particularly the ironic notion of “blessing” that infuses the narrative with a complex tension. Moreover, the text engages in a profound act of self-reflexive paradox where the narrator, as both a construct and a reflection of Lu Xun’s own decontextualized self, serves as a medium for exploring themes of existential alienation and self-denial. This reinterpretation posits Lu Xun’s work not merely as a social critique but as a spiritual and philosophical meditation on the nature of suffering, identity, and the human condition, inviting a deeper understanding of the existential and theological underpinnings of his literary expression.