Abstract

In a review in JHS lxxxix 127 Dr M. L. West gives as an example of ‘a certain innocence on matters of literary history’ the belief that seven-stringed lyres ‘came in’ in the seventh century B.C. Since the emphasis in the context is upon rigorous down-dating, what Dr West seems to be saying is that seven-stringed lyres were not in use amongst the Greeks before about 600 B.C. I hope that I do not misunderstand Dr West's contention: the purpose of this short note is to suggest, with the greatest respect and deference, that another view of the matter may perhaps be permissible.Let us ignore the seven-stringed musical instrument shown on the Ayia Triadha sarcophagus, because evidence from the Late Bronze Age may be thought too remote to be relevant to early Hellenic musical practice. Let us also leave aside ancient opinions associating Terpander with the seven-stringed lyre and assigning him to the first half of the seventh century B.C.. Dr West may well regard the putting of trust in such testimonies as evidence of incorrigible amateurism. There remains, nevertheless, a contemporary witness to the existence of seven-stringed lyres amongst the Greeks of the seventh century B.C.In JHS lxxi 248, fig. 8, there is illustrated a fragment of a Subgeometric dinos of the first half of the seventh century B.C. from the excavations at Old Smyrna. On the piece is painted a seven-stringed lyre. The lines representing strings are carefully distinguished and spaced. It would be extravagant to assert that the artist could not count, or that he was suffering from hallucinations, or that he was imagining a type of instrument never seen by himself or his customers. In short, a tentative suggestion may be made—with due deference and hesitation: scholars, including those whom in this particular matter Dr West would, it seems, classify as innocents, ‘can seriously argue’ that seven-stringed lyres were reintroduced to Greece or ‘came in’ well within the first half of the seventh century B.C.