Abstract

What does feminism have to do with nanotechnology? And how do mad scientists demonstrate the connections between the two? To explore this, I examine a case study of mad scientists in film, discussing first why mad scientist images arise and why nanotechnology, or the manipulation of matter on the atomic and molecular scales, may be particularly vulnerable to this kind of representation. National funding agencies are calling for the integration of ethics and societal implications into nanoscience and technology research and the training of future scientists and engineers. This emphasis offers a powerful way to break down stereotypes about science and engineering that discourage the participation of some groups.