Abstract

Does photography in its various facets lead to alienation or integration? This article is based on a Eurasian survey among photography students from India and Europe. After working definitions of the central terms, it looks at aspects that students have mentioned in connection with alienation – including the view of photography as a barrier or intruder and the adoption of an external perspective on the own culture through photography, up to an individual escape through photography. With regard to integration, photography can open the gates to new experiences and allow growth and identity work, offer a common form of expression and go hand in hand with empathy and knowledge, which matches some aspects of Indian art theory. All in all, the answers of the Indian and European students were quite similar. It turns out that the more reflected people are about photography, the more they can benefit from it.