Abstract

In his excellent preface to Plantus' translation of Zalmoxis, Keith Hitchins mentions, but does not describe in detail, the philosophical system created by Lucian Blaga as a compliment to and source of his drama and poetry. In her forward, Plantus, the translator of Zalmoxis, likewise alludes to the philosophical undercurrents present in Blaga’s literary works in general and in Zalmoxis in particular. In my chapter I briefly outline this philosophical system for the readers of Zalmoxis. I do so – and the translator has invited me to do so – because, while Blaga’s poetry is not slave to his philosophy, it is influenced by his philosophy, and understanding the latter will facilitate understanding and appreciating the philosophical aspects of the former.