Abstract

In the last decades of his life, Ricoeur was dismayed by the undiminishing amount of violence that humans inflicted on one another. He felt impelled to address this unjustified suffering. He moved from theoretical philosophical discussions to develop an ethical project directed toward a just society. I trace Ricoeur’s development, starting from Fallible Man and Freedom and Nature, by way of The Symbolism of Evil, Oneself as Another, and The Course of Recognition, as he delineates his project. In this journey, Ricoeur emerges from the strict Protestant training of his youth to a more pluralist and inclusive ideal. During his elaboration of the ethical, as well as political and social conditions where human beings can flourish, Ricoeur does not appeal directly to religious terminology. Nonetheless, his work remains imbued with a deep love of humankind and wisdom, the roots of which remain entangled in his Christian background.