A moment of Klim

Human Affairs 23 (1):32-39 (2013)
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Abstract

The present article focuses on the notion of intertextuality as put into practice on the Russian stage by the Podval generation (late 1980s). The author documents the aesthetic complexity of the stage imagery employed by this generation in an analysis of performances staged by the most important dramatist and theatre maker of Russian alternative theatre, Klim (born 1952 in Ukraine).

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10.2478/s13374-013-0104-x

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