Abstract

In spite of, or perhaps because of the wealth of material found in this book, it makes a rather arid impression. One wishes for more structure and a clearer statement of the author's own position. Kainz professes to "have patterned his aesthetics on the philosophical personalism of William Stern"; but other influences, such as that of phenomenology and Gestalt psychology, are also prominent. The great variety of views mentioned and discussed gives this book considerable value as a bibliographical guide to recent literature on aesthetics in German. Schueller's introduction is helpful in placing Kainz's position in a larger context.--K. H.