Abstract

In this essay, I provide a reconstruction of the history of and surrounding the bust of Kant, together with its plaque, which jointly compose the monument created in honor of the sage of Königsberg at the Faculty of Philosophy and Human Sciences (FAFICH) of the Federal University of Minas Gerais (UFMG) in Belo Horizonte, Brazil. In so doing, I have the following aims: first, to examine the relationship between the monument and the ideas that guided the creation of the Faculty of Philosophy of Minas Gerais by one of its founders, Prof. Arthur Versiani Velloso; second, to highlight and register the authorship of this work by the plastic artist Frederico Bracher Júnior, as an important part of Kant’s international and indeed truly cosmopolitan iconography.