Abstract

This paper takes as is its point of departure Jean-Luc Nancy’s argument that the occidental idea of community in the modern era has always meant a kind of project or work whose intention was to glorify death in order to redeem and make it meaningful. It does so in order to return the community to its self-identity; to inter or assimilate what intrudes. In so doing, it also produces us as beings who cast this glorious lost past retrospectively. Recalling a lost original communalism, then, is not only politically dangerous, it is a symptom: it operates as a kind of compensatory reinstatement of an imaginary lost unity. On this view, casting ‘back’ to a glorious communal past must not only be resisted on political grounds, it also provides, as a symptom, a way to undertake that resistance. In this paper, I investigate a narrow dimension of Nancy’s strategy for resisting this lure: Nancy’s notion of shattering reveals that the ‘lost object’ of community is a melancholically interred, narcissistically invested retroactive creation of the very work of mourning he resists and re-thinks. The work of mourning on this view, can itself only be resisted by a certain disouevrement or unworking.