Abstract

Pérez-Ramos' study of Baconian science in the New Organon departs sharply from recent interpretation. The single thesis that pervades this book is that the "over-arching ideal guiding Bacon's science" is "maker's knowledge." For Bacon "to know, in brief, means to make". This assertion is itself not made by Bacon, nor does it follow from his statement that "human knowledge and human power meet in one," for power has other forms than making alone. A philosopher who publishes his praise of Machiavelli's realism, and who extends the range of application of his scientia to political knowledge does not restrict the scope of power to "making." Within limits that effectively make Bacon a "philosopher of technology" in a later sense, Pérez-Ramos has given us an original and valuable inquiry. He seeks to give full weight to the Baconian aim to "stake all on the victory of art over nature." This intention has the promise of bringing into a unity the end and the means of Baconian philosophy, the mastery of nature goal and the scientia which is its instrument, a unity not hitherto achieved by Baconian interpreters.