Abstract

The article, as part of ongoing research, is a theoretical account of the workings of affect and affectivity in the process of reading poetry, closing with an illustrative reading. It takes heed of the criticism of the terminology employed in affect studies and the employability of affect in critical discourse as an operative category. The study shows that the difficulty in the applicability of affect in discursive situations lies in its nature – in its being at once experienceable, yet impalpable. As a consequence, the article proposes the need to relocate the perspective within the reading for affect as an empty term and foregrounds the ways in which concentrating on Deleuzian sensation and sense, rather than affect alone, allows it to become operative.