Abstract

Bruce Wilshire’s work has three parts: Theatre and the Reality of Appearance; Reality and the Self; The Limits of Appearance and the Limits of Theatrical Metaphor. Chapter One covers “What Is Theatre?”, Chapter Two “What Is Phenomenology?”, both in a popular lecturer’s manner. As actor and scholar, he discusses playwrights from Sophocles to Grotowski in the rest of Part One. There is no pretense of philosophical depth or originality. But Muses are brought intelligently and enjoyably together. Only when Husserl or Heidegger is rather artificially injected, does the text turn occasionally opaque. Often Part Three is similarly readable. Welcome remarks on social scientists’ abuse of “role-playing” are usefully applied to Erving Goffman’s use of theatrical metaphors in theorizing on social roles. Excellent comments on those who “dismiss religious practices as [necessarily] regressive and self-deceptive” come soon after. Too mechanical, behavioristic or cheaply cynical views of human beings are attacked, despite Wilshire’s own concessions to pessimism. At the end one reads: “it is not clear whether vital and authentic individual identity is still possible for us….We must aim for a community of compassion in which each recognizes the tragic aspects of the other”.