Abstract

"Foucault's Aestheticism" asks to what extent critique as Foucault conceives it can be read as a form of style. Starting from Foucault's description of "aestheticism" as "self-transformation," Lamb argues that accounts of Foucauldian critique have often sought to establish Foucault's position as one of affirmation or opposition without carefully setting out the terms by which his practice and relation to the self shift with respect to the institutions, disciplines, and practices that form his objects of study. By focusing on Foucault's description of modernity as an ethos against the reception of his history of classical ethics, the essay concludes not only that an impersonal style often functions crucially in Foucault's critical practice but also that no account of his style can afford to ignore the changed understanding of style at which Foucault ultimately arrives, an understanding in which style constitutes less the final expression of an authorial position than a provisional practice of self-modification