Abstract

Thomas Mann developed one of the most subtle theories of irony during World War I, concluding that the best irony was irony against both sides of any issue. Such irony was not inconsistent with love for humanity, and even for both sides. He may well have been justified in using irony against both sides in that war. But with the rise of the Nazis, he abandoned two-sided irony and used his irony mostly against them. One the one hand, this meant a better political position, but on the other hand irony was almost absent from many of his wartime essays and declarations. That may have been justified in such a time of danger, but it meant less art and subtlety in his political writings.