Theses on cinema as philosophy

Journal of Aesthetics and Art Criticism 64 (1):11–18 (1991)
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Abstract

The article explores the link between motion pictures and philosophy, citing film's contribution to philosophy, and the illustrative and heuristic roles of films. The philosophical contributions of films may be examined in the films "Vredens Dag," or "Day of Wrath," where filmmaker, Carl Theodor Dreyer used various specifically cinematic means to express ideas pertaining to ethical and epistemic issues, while "The Seventh Seal," provides some ideas about religion

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2006

DOI

10.1111/j.0021-8529.2006.00225.x

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reprint Livingston, Paisley (1991) "T. S. Eliot and the Philosophy of Criticism, by Richard Shusterman". Philosophy and Phenomenological Research 51(2):459-462

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Paisley Livingston
Lingnan University

Citations of this work

Learning from Fiction.Greg Currie, Heather Ferguson, Jacopo Frascaroli, Stacie Friend, Kayleigh Green & Lena Wimmer - 2023 - In Alison James, Akihiro Kubo & Françoise Lavocat (eds.), The Routledge Handbook of Fiction and Belief. Routledge. pp. 126-138.
Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge Press, Research on Aesthetics. pp. 116-134.

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References found in this work

Aesthetic appreciation.Gary Iseminger - 1981 - Journal of Aesthetics and Art Criticism 39 (4):389-397.
The Specificity of Media in the Arts.Noël Carroll - 1985 - The Journal of Aesthetic Education 19 (4):5.
Nested art.Paisley Nathan Livingston - 2003 - Journal of Aesthetics and Art Criticism 61 (3):233–246.

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