Abstract

The present paper intends to place “Lo que queda de Auschwitz” in the Homo Sacer’s proyect started by Giorgio Agamben in 1995. In order to do so, we must point out, in the first place, the need of understanding this proyect as a political ontology, then the relation between this proyect and the philosophy of language of his youth, along with its ethical claims, and, finally, we must identify some of his fundamental moves, as the formation of ontological categories created from historical figures which are able to show the “arcanum imperii” of the political system to which they belong. As a result, the paper shows the metaphysical foundation of the analysis of the subject carried out in “Lo que queda de Auschwitz”, and the way it affects the author’s ideas on ethics, leading to a open way to critics and posible reformulations.