Abstract

The fathers of the Modern movement have undoubtedly created a new tradition in architecture, as advertised by Siegfried Giedion in the classic book Space, Time, and Architecture, first published in 1941. As a practicing architect, I surely disagree with the “most reductive aspects of modern (twentieth-century) architecture,” as Nathaniel Coleman puts it,1 which are inherent to what he calls—following the definition by architectural critic Kenneth Frampton—“orthodox modern architecture.” However, this new tradition is not limited by the rigid forms of orthodox modernism, including its many variations and the undeniable achievements of many architects who were able to create meaningful buildings for a postindustrial ..