Abstract

The fine arts are considered as one of several pathways toward insight, knowledge, and understanding. My reflections on this are deliberately not based on aesthetics or on philosophy of art. Speculations on fine art observe two characteristics of specific epistemic processes: first, a tacit knowledge that is not enunciated by ordinary language and, second, a present and effective logic, which has a different pattern from the logic of scientific knowledge. The latter leads to change because it is built upon accumulated knowledge, whereas in the arts, change leads to knowledge as creative processes guide us toward what we do not know, and this challenges what we do know.