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The Confession of Augustine
Stanford University Press (2000)
Abstract
Lyotard approaches his subject by returning to his earliest phenomenological training, rearticulating Augustine's sensory universe from a vantage point imaginarily inside the confessant's world, a vantage point that reveals the intense point of conjuncture between the sensual and the spiritual, the erotic world and the mystical, being and appearance, sin and salvation. Lyotard reveals the very origins of phenomenology in Augustine's narrative, and in so doing also shows the origins of semiotics to lie there.Other Versions
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Citations of this work
Displacement or composition? Lyotard and Nancy on the trait d’union between Judaism and Christianity.Frans van Peperstraten - 2009 - International Journal for Philosophy of Religion 65 (1):29-46.
Listening for Kierkegaardian echoes in Lyotard: the paradox of faith and Lyotard’s ethical turn.Elizabeth Li & Katie Crabtree - 2019 - International Journal of Philosophy and Theology 80 (4):374-389.
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