Abstract

This paper juxtaposes biosemiotic and anthropological perspectives to consider the issue of dwelling and living, with particular reference to nonhuman agency and design. The author discusses the fundamental issues and theoretical concepts associated with this issue before making comparisons with reference to a case study and defining a stance on the agency of animate and inanimate nature, with particular regard paid to dwelling. The Zoepolis project is an artistic one, on the borderline of the humanities, the natural sciences and art, thus it combines three seemingly irreconcilable spheres to address issues associated with the subjectivity of living entities, and with the processes of their inhabiting and designing.