Abstract

The artist Sandra McMorris Johnson once told me that, as much as she had always loved Gauguin, she had nevertheless become increasingly uncomfortable looking at his paintings because so many of them depict thirteen-year-old girls in an extremely sexualized way. I think about her discomfort with Gauguin whenever I consider my reaction to Balthus, an artist whose best paintings I find to be utterly beautiful.1 These paintings are, however, highly, if not obsessively, eroticized portraits of prepubescent girls. It should be noted that Balthus—known to some as the "Lolita painter"—dismissed criticism of his subject matter by declaring an allegiance to formalism.2 But, as a pragmatist, I cannot hide behind a strict ..