Abstract

This chapter explores the representations of the Renaissance developed by two prominent intellectuals in Argentine philosophy during the first three decades of the twentieth century: José Ingenieros and Alejandro Korn. Their work is contrasted with that of a nineteenth- century Spanish source that served as the basis for their own performances, Marcelino Menéndez Pelayo. It will highlight how these authors articulated the ideas and ideals of the Renaissance with the construction of a national thought and culture. For the Argentines it was important to understand how the Renaissance was perceived in Spain, the country that set the course for the predominant ideas in Argentina in the colonial period between the sixteenth and eighteenth centuries. Menéndez Pelayo devoted special attention to the Renaissance because there he finds the highest and most genuine moment of the Spanish intellectual history. All three thinkers are interested in weighing the differences between the Renaissance and the Counter-Reformation, and their impact in the construction of the national culture of their countries, both Spanish and Argentine. Regardless of their philosophical, political and religious differences, the historical narratives of these authors used the Renaissance ideologically, and made of it a conceptual motive, an inspiring model containing the values to be embodied by the culture of their nations, above all the value of “free inquiry”.