Abstract

We relate recent accounts of Wittgenstein-inspired deep disagreement to polarised understandings of sex and gender, considering their strengths and limitations in clarifying clashes that may sometimes appear in our most intimate sexual relationships. Our starting point is a heated and deeply disruptive argument between a man and a woman in a heterosexual relationship, presented in the lyrics and music video for Kendrick Lamar and Taylour Paige’s song ‘We Cry Together’. We use this example to bring out some of the fixed assumptions about the nature of deep disagreements, seen in Robert J. Fogelin’s account of forms of life, David M. Godden and William H. Brenner’s account of concept determination, Duncan Pritchard’s account of hinge commitments, and Victoria Lavorerio’s account of pictures. Though we find much of the discussion present in these accounts promising, we argue that none are able to grasp the messy, unpredictable, and constantly shifting nature of the (quite ordinary) disagreement in our example. This offers support to scholars who caution against making a priori claims about which topics (e.g. abortion) necessarily evoke deep disagreements, and suggests that we resist attempts to establish, a priori, what deep disagreements _must_ look like, and how they _must_ be resolved. This enables us to bring out the ways in which pig-headedness and self-righteousness, in our example, do not provide reasons to reject this particular disagreement as “genuinely” deep, but provide a picture of an emotional dynamic on which the depth of this particular deep moral disagreement seems to hinge.