Abstract

The environmentalist’s condition can be one of loss, the perception of a depleted and polluted environment as a product of modern consumption. Compounding this grief, some environmental losses loom as unrecognizable or beyond our immediate perception. Capitalism responds to this obscure loss by offering consumption and development, perhaps of a green variety, as a panacea for pain. This paper concerns the capacities of making music, as an activity and process, to help recognize and respond to present environmentally destructive patterns of grief and resource-product consumption. I see this paper as an opportunity to begin a conversation about how ecomusicology might approach discussions of environmental...