Abstract

Thai installation art provides a view into modern, non-monastic experiences of Buddhism. Buddhist practice and scholarship often depend on centuries-old ritual practices and texts, and designated religious sites and persons. However, installation art illumines a fluxing and organic Buddhism – and one that is increasingly globalised and public. An evolving artistic zeitgeist is fused with classical tenets of Buddhism and diverse spiritualties. Each with a unique flair and multi-media repertoire, artists such as Jakkai Siributr, Montien Boonma, Sarawut Duangjampa, Chalermchai Kositpipat and others are offering creative contemplations on Buddhism today. Their works are often experienced in a leisurely fashion by the attending public, amidst social outings or intellectual excursions. People are encouraged to react however they wish to installations, which are themselves fundamentally transient – lasting usually between three and six months. Buddhism is thus asserted as an on-going project: a continual discovery rather than a quest for knowledge from the past.